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- Song: "Spirit of the Dance"
- Composer: Kevan R.Craft (c)1996
- Copyright: (c)1996 MIDICraft Compositions and Arrangements
-
- A Tribute to Rob Baxter 1957-1996 (RIP)
-
-
- Converted and arranged for:-
- 1.Standard MIDI File "(SMF)" format 1
- 2.Music-X "Performance" file format
- 3.Bars and Pipes "song" format
- 4.Dr. T's KCS "ALL" format
- 5.Korg i-Series and X-Series ".SNG" format
-
- Synth Set up: Configured for Korg i-Series and X-Series synths
- Software used for composition: Music-X V2.0 with custom ARexx macros
- Synth Harware used: Korg i3 Interactive Music Workstation
-
- Computer Platform:Amiga 2000 HD/68030 5Mb RAM, 540Mb Internal SCSI HD
- mounted on a A2091 Card, 730Mb external SCSI HD
-
-
- The Standard MIDI File (SMF) format 1, Music-X Performance file, Bars and
- Pipes Song, Dr. T's KCS ALL file and Korg .SNG file are compatible with all
- Korg i-Series and X-Series synths.. The Korg ".SNG" file and its
- accompanying ".PCG" USER voice bank must be copied to a 720k DD MSDOS
- formatted disk and loaded directly from the on-board disk drive on either
- one of the Korg i-Series and or X-Series Workstation synths..
-
- "Spirit of the Dance" is my personal musical tribute to friend Rob Baxter
- who sadly died on March 27th 1996 aged only 39 years of age..
-
- Rob Baxter, from the UK, was well known on the Commodore Amiga
- platform as a respected Amiga musician who was responsible for producing
- countless classical scores using the Aegis Sonix and Synthia Pro software
- programs. Initially, Rob started scoring music on an Amstrad computer back
- in the very early 80's and eventually met friend Hugh Gammon a computer
- programmer/muso who shared similar ideas to Rob.. Eventually both made the
- transition to the Amiga platform and never looked back..
-
- After acquiring an Amiga computer, Rob became a member of 17Bit PD library
- back in the early days when it was the biggest and best Amiga PD library in
- the UK (its not now of course!).. It was via 17Bit that Rob first submitted
- his Amiga music creations to share with other 17Bit members.. 17Bit
- appreciated Rob's material so much that when reading their catalogue disk,
- Martin Brown, the then office manager, wrote some fine leaders to Rob's
- disks which encouraged other Amiga music lovers to acquire his disks
- whenever released, and now a lot of Amiga users have got Rob Baxter's music
- disks in their Amiga disk collection, me included..
-
- Indeed, Rob actually submitted his material to a lot of PD libraries
- himself, that's where I first met him myself. I was running a PD Library
- (MicroCraft) and one Saturday at a Computer Fair, at Bowlers Sports Centre,
- in Trafford Park, Manchester, Rob came over to my stall, promptly
- introduced himself as "I'm Rob Baxter, would you like some of my disks for
- your library?" He shoved 10 disks in my hand! When I asked him what he'd
- like in return he simply said "just 10 blank disks".. It was only later
- when I returned home that I managed to examine Rob's disks and I was really
- knocked out by the amazing quality of the guy's musical arrangements which
- actually played from a bootable disk! All Rob's disks were written very
- neatly and clearly on regular disk labels and included his home address,
- telephone number and later his E-mail address.. I know that Rob submitted
- his work personally to most of the big Amiga PD libraries in the UK. If a
- new one sprung-up then within a week he'd send them his complete catalogue
- of works.. He was a really nice guy who valued the concept of "Public
- Domain" and used this distribution system to get his work out to other
- Amiga users, and he never asked for any money! Later with the advent of the
- CD-ROM, many developers on the Amiga platform published Rob's musical
- works, and later the Desktop Music Workshop releases and his material can
- be found on many CD-ROM collections ranging from Almathera CD PD and Demo
- CD, 17 Bit Collection and Continuation, Weird Science Multi Media Tool Kit
- II and more CD-ROMs besides..
-
- Rob appreciated all music but particularly loved Bach, Gershwin, Mozart,
- Pachebel, Rick Wakeman, Vangelis, Wendy Carlos and Yes.. There is a
- relationship and this is "classical themes"; the complex structures and
- musical narratives that some styles of music can take.. Rob loved complex
- musical narratives and was able to remember complete scores from memory..
- When arranging other composers work using the Aegis sonix program, Rob
- employed a FREE FORM appoach rather than consulting the actual manuscript,
- he simply typed any musical score in from memory and by ear.. Rob did
- possess the ability to read and write music which helped because the Sonix
- software requires the user to score music directly onto musical staves
- which appealed to his sense of intellectualism. Indeed, Rob also played the
- keyboards and was a proud owner of quite a few classic 70's analogue synths
- which are considered collectors items.. Using the Synthia Pro software also
- appealed to Rob because the program offered him the the unique opportunity
- to create his own synthesized instruments by building complete waveforms
- from nothing but his imagination which could be played from his scores
- created with Sonix.. This kind of working practises really appealed to Rob!
-
- The fact that Rob was interested in synthesizers and synth Rock lead to him
- developing tastes further a field venturing into the realms of composers
- already mentioned above.. From a conversation with Rob, I remember him
- telling me that he was really into Wendy Carlos, because of her amazing
- feats using a synthesizer to orchestrate classical scores.. He sighted
- Stanley Kubrick's "A Clockwork Orange" movie, the Disney Sc-Fi classic
- "Tron" movie and the "Switched on Bach" and "Switched on Bach 2000" albums
- as brilliant examples using synths to perform classical music scores, so
- there's the relationship - "Wendy Carlos" whose unique synthesizer music
- appealed to Rob and inspired him to do likewise..
-
- Once you met Rob Baxter you wouldn't forget him.. Not only was he prolific
- in his production of very high quality musical material but he was always
- prepared to help others in their activities as well. I was writing some
- articles for Bj°rn Lynne's AM/FM disk magazine and later the MIDICraft
- Magazine for Amiga musicians and Rob would always let me review his new
- work as soon as they were released.. Rob really appreciated this and
- started giving me credit in a couple of his later works.. I often said to
- him, "you should release some of your own work", but being the
- perfectionist he was never really satisfied with anything he produced of
- his own, his argument being that his compositions were weird and strange..
- I still pestered Rob to release some of his own material and eventually he
- composed 2 scores entitled "Metro" and "Rob's Rambles" which he released on
- a Desktop Music Work Shop release under the title of "Metro"
-
- "The Desktop Music Workshop" was a production entity created by Rob and
- Hugh Gammon as a team who produced Amiga music disks which had programmed
- software interfaces and which were bootable from most Amiga computer
- systems.. Rob actually had the idea for releasing a Guide to Electronic
- Music - a big project which sought to explain the concepts of sound and
- synthesis using text, sampled speech, musical extracts and graphics very
- effectively and in an interesting and educational way.. "The Desktop Guide
- to Electronic Music" came on 3 disks and in my opinion was probably the
- best Amiga disk set ever release on the Amiga. The only other multi Amiga
- demo disk which came near to the same quality was Alcatraz's 5 disk
- "Odyssey" DEMO..
-
- During the last couple of years Rob spent a lot of his leisure time, with
- his partner Pierce, on CIX surfing the NET! Rob was well known on CIX, and
- he was well liked and respected.. He communicated with a lot of Amiga users
- both via Snail mail and E-mail, always a friendly, chatty and helpful guy
- who could find time for anybody..
-
- I discovered to my horror that Rob died in his sleep on March 23rd 1996
- aged only 39 years of age. Rob had experienced his last 18 months with
- serious heart problems and was unaware of the severity of his condition. In
- fact, Rob thought he was suffering from continual boughts of indigestion
- and was completely unaware of his coronary problem..
-
- Rob Baxter was a true genius, a musical wizard, an inspiration, the likes
- of who only pass this way once.. He was also a friend, a gentle man whose
- massive contribution to the Amiga music scene will never be forgotten and
- whose presence will be sadly missed.. We miss you already Rob..
-
- As a musical tribute to Rob I've composed a peice of music called "Spirit
- of the Dance".. According to accademic texts, "Dance" is a phenomenon found
- in all cultures, a physical, rhythmic movement to music which signifies a
- collective "celebration of life" and as Rob had a big and warm personality
- who also loved life then this piece is my way of saying you mattered Rob,
- you touched our lives, you gave us your music, you are the "Spirit of the
- Dance".. Rob Baxter 1957-1996 (RIP)...
-
- Kevan R.Craft
- MIDICraft Compositions and Arrangements
- 12 Mount Road
- Halton
- Runcorn
- Cheshire. WA7 2BH.
- England. UK.
-
- Tel:+44 01928 563762
-
- Korg i-Series/X-Series configuration for "Spirit of the Dance"
-
- CHANNEL PROGRAM INSTRUMENT
- 1 53 Choir Aahs
- 2 34 Fingered Bass
- 3 31 Distortion Gt.
- 4 31 Distortion Gt.
- 5 56 Orchestra Hit
- 6 96 Sweep Pad
- 7 1 Empty
- 8 1 Empty
- 9 1 Empty
- 10 25 Drums i2/i3 Dance Kit
- 11 26 Percussion i2/i3 Analog Kit
- 12 1 Empty
- 13 1 MIDI Piano
- 14 29 Muted Gt.
- 15 43 i3 Strings
- 16 1 Empty
-
- TEMPO: 125 BPM
- TIME SIG: 4/4
- RUNNING TIME: Over 5 mins..
-
- Additional information: Each file contains an embedded SYSEX "GM Mode"
- message which when transmitted via MIDI to an external GM synth will
- configure the MIDI device to respond in General MIDI (GM) mode.. Additional
- Percussion has been implemented on MIDI Channel 11 as per Korg i-Series
- Channel configuration. Certain instruments, namely the MIDI Piano (PGM #1)
- and i3 Strings (PGM 43) use the Korg i3 C BANK voices and are configured
- using the following MIDI Controller parameters:-
-
- CTL 000,000
- CTL 032,001 - C Bank
- PGM 001 - MIDI Piano
-
-
- CTL 000,000
- CTL 032,001 - C Bank
- PGM 43 - i3 Strings
-
- The above i2/i3 MIDI Controllers and Program data are configured within
- each file, if you've got an i-Series or X-Series synth then simply load the
- approriate file for the relevant Amiga MIDI Sequencing software you use or
- port the "SPIRIT_D.SNG" file to a 720k MSDOS formatted disk and load this
- into the keyboard directly from the on-board disk drive. The SPIRIT_D.SNG
- file is a Korg i3 16-track MIDI Sequencer version and the "SPIRIT_D.PCG"
- file is the USER D bank containing a further 64 voices and the 2 USER drum
- Kits.. "Dance Kit" (USER KIT 1) is required for this track to play
- correctly on one of the above mentioned synths and therefore you are
- required to load this "SPIRIT_D.PCG" file into the Korg keyboard as well
- for playing any of the Amiga software versions and the Korg ."SNG" version!
-